Aesthetics and Community

So to continue this train of thought, I was watching this digital rough cut of an interview with Howard Rheingold. In it Howard makes a few statements about digital communities, groups and nation-states that appeal to me. Particularly this statement:

In fact when I first started travelling about this was erm during a brief period when I worked for Wired Magazine, I had a little wired hat on.  It didn’t matter whether they spoke English or not, there were people who identified more with me than with they’re neighbours, with they’re parents, with they’re peers, erm even though we may not have even spoken the same language, they knew UNIX, they knew Photo Shop, they knew communicating on line.

That resonated with me for a bit. Earlier Howard mentioned his sense of dress as well, and how it can be offputting for some people. Now I don’t want this to come off as a love letter for Howard, I would think that his dress is what made me interested in him. He was confident in himself enough to put himself out there, and that confidence and uniqueness speaks to me as a person. In the same way that Howard’s way of dressing (through his Wired hat or colorful jackets) made an impression on people and acted as an attractor or repellent, the aesthetics of online spaces will do the same thing. So is it important that online spaces be as aesthetically neutral as possible?

No. There is no neutral. Think about color for a moment. White background color has a different context depending on culture – your actions will be unable to alter those cultural reaction. So you have to rely on your own aesthetic choices and make sure they reflect you as much as possible. I think the individual need to express this is what will begin to differentiate institutions from one another. We’re already seeing this in higher education where certain lecturers are the “top free agents”. I’m sure sometime in the future, as online learning becomes more prevalent, we will begin to see the better learning designers, and by that I mean aesthetically and pedagogically, become more important.

Howard makes some mention of what makes a community later on, and in my interpretation it comes down to a like-minded group – some sort of connection occurs between all the parties. It could be worldview, it could be musical tastes. In web design, we recognized that a certain consumer expects a certain level of design. For instance, an opera house website would be rejected if it wasn’t sufficiently “high class”. You wouldn’t see a graffiti font on the opera house website. These groups have an aesthetic identifier as well, it’s an external clue, part of that first impression decision making process.

So thank you Howard for helping me make the connections from this video!

Aesthetics and Self Defined Identity

I wonder if there’s a benefit to allowing the end user, the learner  in educators cases, control of how online spaces function and look. How we design places, how we as educators/teachers/instructors design places is a egotistical idea, imposing a will of how things will be viewed and the order of viewing, that’s unlike anywhere else on the web. I can choose to go to Google in the middle of writing this article, no one says I have to finish writing this blog post before I can move on to looking at LOLcats. In the same sense why are we ordering students to complete tasks in an order that may not work for them? Maybe someone wants to engage in discussion before attempting the readings…

Similarly, who’s to say that my idea of what pleasant aesthetics are? Certainly they might appeal to a European or North American aesthetic set, but maybe my use of white, black and greys are not appealing to an African or Asian aesthetic? Wouldn’t it be nice to have educators select a default stylesheet, for those students who don’t have a preference, and allow the end user to choose how their localized content looks. I mean that was the hope with CSS (Cascading Style Sheets) and XML, where CSS would describe to the browser how it would look and XML would describe the data being transmitted. Instead of creating courses with content, generate a mass of XML that would be styled by the learner. Then you of course avoid all those nasty problems with mobile platforms, e-readers, etc.

Learner. A word that exemplifies the role, but seems so clumsy… I’ll have to look for a better one – don’t know if one exists though. Neither here nor there…

In this situation where the end user/learner styles the content, what happens to the identity of the instructor? Part of the deal with aesthetic judgments one makes about e-learning spaces is that it informs the student about the instructor. What happens to this implicit “understanding” (or misunderstanding)? The way we organize a page informs the reader of the page about the designer. Traditionalist? Times New Roman font, twelve point, one inch margins… Amateur? Comic Sans, larger, clip art that isn’t really relevant… Modern? Helvetica, ten point, maybe two columns, with images? Is it important to have this information as a learner at a distance? Is anyone thinking about this stuff?

Aesthetic Attention

Ran across an article about aesthetics from Carleton University called Aesthetics, visual appeal, usability, and user satisfaction: What do the user’s eyes tell the user’s brain? which had confirmed my previous assertions that you have 3 seconds to make an impression with a website – in fact, according to the article, you have 50 milliseconds. It also confirmed my idea that if your first impression is bad, then you’re fighting an uphill struggle to merely regain your credibility. This is a doubly bad situation for an e-learning space, where you have to not only fight to maintain attention, but also external preconceived notions of e-learning from other professors or teachers work online can have an effect on your credibility as an instructor. That credibility can be a class killer, especially at the College level in Canada. Colleges were built on trades, and being an instructor at College requires some real-world experience in the field that you’re instructing in. Any knock on your credibility can be overcome with good teaching technique, or personality but you have to fight for attention. When you are interacting with a screen though, as your sole “interaction” with a teacher, that initial impact is crucial to retaining attention. Positive first impressions will also allow users to forgive minor usability errors, although I didn’t see a definition of what minor was.

The article also goes on to say that users prefer things that they’ve seen before – which seems like an obvious statement – and also contributes to explaining why we see so many two and three column layouts on the web – familiarity. Three columns mimic the newspaper, which is familiar to most members of the 20th century (although, may not be to the members of the 21st century). Never mind that columns organize information into groups which allows users to better scan and assimilate information, but order on a page is aesthetically pleasing. Disorder is disorienting. So a logical ordering of information will help with your credibility long after the initial impression has occurred. Does it follow that a positive first impression and an orderly page improve your credibility? Or is there a finite amount?

Aesthetics as Part of Usability

So the recent past has me thinking about the aesthetics of e-learning spaces, and while that may seem like a non-issue for many people, I believe it will be incredibly important as educators move forward. We rely on aesthetics to assist us in a quick reliability check. We all do this in real life when we meet a person, as they say first impressions are important. Well, this is no different in e-learning or in a face to face class.

Certainly Blackboard, Desire2Learn, Moodle and other modern LMS’s allow a creator to exert some control over how content looks. You are somewhat functionally trapped into a frame where content is held with some of these systems, but in many cases those are constraints that you can work with (against?). As an educator you might also have other issues restricting the look of your content; headers are a certain color, color schemes might be imposed by your institution, usability experts tell you what icon to use for a link or even font size might be restricted.

As an educator you have a dual purpose as well, you need to make your content accessible as well. So that means you should consider things like contrast of color, whether your font size is large enough for the visually impaired and whether your images have alt tags to ensure a screen reader can convey the description properly to a user. In fact, your institution might be under law to make your content accessible.

Frames in and of themselves pose problems for stringent accessibility rules, so your LMS might already be screwing you. It’s quite possible it’s screwing you anyways… never mind that ugly thought…

It’s not particularly difficult to make a website accessible. It can be tricky to make it aesthetically pleasing and usable. Seeing as I’ve brought up visually impaired users, I would be very very remiss to not mention this other blog article about 10 Tools for Evaluating Web Site Accessibility especially for color blind users. While these are for websites, you can use most of these tools within LMS’s as well. The Firefox extention (#1 in the linked article) is excellent, and has identified a couple areas that I need to be aware of in my own work. Of course, this doesn’t really speak about aesthetics. Well not explicitly anyways.

Aesthetics are pleasing the eye – which can be difficult to hit the centre of the target everytime as we all view things differently. I often get asked, how can I make something look good? Practice is my default answer, but when pressed I will concede that you can’t go wrong with the classic black, white and grey. Add an accent color of (one of) red, blue or green and your e-learning space will look professional. If you have a predetermined header, or logo, grab one of the colors as an accent from that. Simplicity is key. It’s when people start to get fancy that sometimes people run into trouble.

Aesthetics Continued

To continue the previous entry – another pushback might be that instructors would feel that improving the look of a space might be considered manipulation of the student, as if marketing the educational piece is the same as selling someone a Flowbee. Making things look good is not the same as manipulating the end user. A simple three column screen layout or a well designed Power Point (oxymoron alert?) does not mean that you are trying to  manipulate learners. One could cynically argue that’s what teachers do now, by selecting what students read, how they will be graded and what activities they will engage in.

Aesthetics doesn’t always extend to just the look of a document or page. It’s also about how the design interacts with the content. If the content is playful, it should be reflected in the aesthetics related to the content. The design and the content will inform the student about the instructor – providing a clue as to who an instructor is. If these ideas about aesthetics are not addressed in the materials, that too informs the student.

Also, to tie into the last post, the great Presentation Zen has 10 tips on how to think like a designer. It’s a very broad overview to help non-designers begin to think about design. Of course, this is from Garr’s perspective, and has a very zen approach to design (specifically points 2,3 and 5). I certainly appreciate Garr’s approach to most things so it resonates with me, your mileage may vary.

Aesthetics Of Learning Spaces

I’ve been doing a bit of thinking about the aesthetics of learning spaces and the sort of push back one might get from instructors who are reluctant to better their spaces.

One argument I can envision is that instructors might say that they aren’t designers (unless of course, they are…) and shouldn’t have to concern themselves with how things look. Function over form… substance before style. The answer from me is that of course, your content has to be good. After several years of teaching you should have your content down to finely honed machine. Isn’t it time to dress it with the best looks to ensure it’s in top form? The thing about aesthetics, is that you rarely notice them when they’re good or great. You certainly notice them when they look like crap. Not only do you notice them, they distract you from the content…

Another Design To Address Change

Websites are (sometimes) designed for interaction and flow.

Books are designed for readability.

E-learning is designed for….information transmission?

This is certainly the belief I have. LMS’s as a whole are systems that encourage transmission rather than other methods of learning. The collaboration tools are not the greatest, nor are they immediately present. If they do exist, they are workarounds, hacks, expansion ideas or afterthoughts. Don’t get me wrong, I like hacking around in the systems we use to figure out how to do something. Some systems make it hard to do so, some accept that their existence is a framework that you build on.

I think that the LMS is already entrenched in higher education and will continue to serve a role in education. I don’t think we’ll fully go to distributed resources of knowledge, aggregated by RSS feeds and pipes. LMS use may drop, but I suspect that it will serve as a gathering point that builds in the features of web 2.0, but cradled in an environment where failure or success is not so open to the world. Some students crave that security, and we should at least give that to them in a gesture of support.

That means that we need the fundamental design of LMS’s to change so that they are adaptable, much like operating systems that have applications that run on top of them. They also need to output well designed templates that faculty can use to display content. No current LMS has a template system for content – we can do it with blogs, why not learning spaces? It’s not difficult, but it would be (and in my case definitely is) a barrier to faculty creating good looking learning spaces.

Part of site reliability, or authority, is that learning spaces look professional. A slapped together website in HTML is not enough to attract customers, why would a slapped together pastiche of PowerPoints, PDFs, webpages and links be attractive to students?

PHP/MySQL Hell

Hi all… I haven’t lost touch with my educated self, I’m just bogged down in facilitating the Searching the Internet distance ed course, taking the Brock Workplace Learning course and up to my neck in SQL statements putting together a giant database of courses for the institution I work for. Plus there’s some big plans going on here with the consolidation of LMS’s that might happen over the next four years. Anyways, lots of work, and not many new insights for the last couple weeks.